He encontrado estos 17 primeros minutos en inglés que se estrenaron ayer día 24 de Septiembre 2009.
Flahs Forward, los primeros 17 minutosLa cultura libre, que es la visión de la cultura promovida por un heterogéneo movimiento social basada en la libertad de distribuir y modificar trabajos y obras creativas.
Dear Audience,
I hereby give Sita Sings the Blues to you. Like all culture, it belongs to you already, but I am making it explicit with a Creative Commons Attribution-Share Alike License. Please distribute, copy, share, archive, and show Sita Sings the Blues. From the shared culture it came, and back into the shared culture it goes.
You don't need my permission to copy, share, publish, archive, show, sell, broadcast, or remix Sita Sings the Blues. Conventional wisdom urges me to demand payment for every use of the film, but then how would people without money get to see it? How widely would the film be disseminated if it were limited by permission and fees? Control offers a false sense of security. The only real security I have is trusting you, trusting culture, and trusting freedom.
That said, my colleagues and I will enforce the Share Alike License. You are not free to copy-restrict ("copyright") or attach Digital Restrictions Management (DRM) to Sita Sings the Blues or its derivative works.
Some of the songs in Sita Sings the Blues are not free, and may never be; copyright law requires you to obey their respective licenses. This is not by my choice; please see our restrictions page for more.
There is the question of how I'll get money from all this. My personal experience confirms audiences are generous and want to support artists. Surely there's a way for this to happen without centrally controlling every transaction. The old business model of coercion and extortion is failing. New models are emerging, and I'm happy to be part of that. But we're still making this up as we go along. You are free to make money with the free content of Sita
Sings the Blues, and you are free to share money with me. People have been making money in Free Software for years; it's time for Free Culture to follow. I look forward to your innovations.
If you have questions, please ask each other. If you have ideas, please implement them - you don't need my permission or anyone else's (except for the copyright-restricted songs, of course). If you see abuses, please address them, but don't get bogged down in arcane details of copyright law. The copyright system wants you to think in terms of asking permission; I want you to think in terms of freedom. We've set up this Wiki to get things started. Feel free to improve it!
I've got to get back to my life now, and make some new art. Thanks for your support! This film wouldn't exist without you.
Love,
--Nina Paley 28 February, 2009Gracias a :
Si me permites una sugerencia, creo que sería una buena idea que pusieses un enlace para donaciones o para comprar en su tienda. Sólo en regalías de las canciones de Annette Hanshaw, Nina Paley debe 50000 US$ y no ha llegado a la mitad (en donaciones). En este vídeo explica cómo consigue financiación. Parece que por otros cauces obtiene más financiación, pero vamos, no es mala idea que obtenga todo el dinero que pueda por su grandísimo trabajo.
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¿De qué crees que será el próximo? ¿Cual te gustó más? Déjanos tus propuestas para que el equipo de guionistas y producción trabajen sobre las mejores que nos propongáis. 
En este primer capítulo conté con los actores Manuel Moral y Juan Castro.
Que se vistieron cómo albañiles moñas.
Para el rodaje nos fuimos a la calle Arenal y trepamos la puerta de una cochera para que pareciera más realista.
Lo cierto es que el rodaje marchó muy bien porque ellos apenas actuaron, ya que realmente son un poco moñas.
